The future of the upcoming artists (part 2)
17 April 2026

The future of the upcoming artists (part 2)

Time with Koo Ntakra

About

The future for upcoming artists in Ghana looks promising, but it’s also more competitive than ever. Here’s what’s shaping it right now:

*What’s working in their favor:*
- Digital platforms: Spotify, Audiomack, Boomplay, TikTok, and YouTube let artists bypass traditional gatekeepers. Black Sherif and Amaarae both blew up largely through streaming + socials before major label deals.
- Global appetite for African sound: Afrobeats, Highlife fusions, and Ghanaian drill/Asakaa are getting international playlist spots. That opens collab and touring money that didn’t exist 10 years ago.
- Lower barrier to record: Decent home studios, beat marketplaces, and phone-quality video mean you can release weekly if you want. Consistency is beating perfection.
- TGMA + new award platforms: Recognition from Telecel Ghana Music Awards and 3Music Awards gives emerging acts legitimacy and brand deal leverage.

*Biggest challenges:*
- Monetization gap: Streams pay fractions of a pesewa. Most upcoming artists still make real money from shows, features, and endorsements, not streaming.
- Industry structure: Royalties collection through GHAMRO is still messy. Many artists don’t register works properly or see payouts.
- Oversaturation: Because it’s easier to release, standing out needs strong branding, storytelling, and live performance, not just good songs.
- Data + business skills: Understanding splits, publishing, marketing analytics, and contracts is now as important as talent.

*What separates the ones who break through:*
1. Distinct sound + image: Think King Paluta’s storytelling or Moliy’s vocal texture. You remember them after 1 listen.
2. Community: Building a core fanbase of 1,000 true fans in Accra, Kumasi, or on Twitter/TikTok before chasing global.
3. Consistency: Dropping quality every 4-6 weeks keeps algorithms and fans engaged.
4. Live chops: Ghana’s audience still converts hardest at shows. If you can’t move a crowd, labels hesitate.

If you’re an upcoming artist: treat yourself like a startup. Learn splits, register with GHAMRO, build an email/SMS fan list, and collaborate horizontally with other upcomers before waiting for a big feature.

Are you thinking about this as a fan, or are you an artist yourself trying to map out next steps?