Public domain audiobook
Treatises of Benvenuto Cellini on Goldsmithing and Sculpture
Benvenuto Cellini, a 16th century Florentine goldsmith and sculptor, is perhaps better known for his colorful autobiography than his works of art. In his "Trattati", Cellini explains how he made his intricate pieces in gold, such as the salt cellar intended for the table of King Francis I of France, and his monumental sculptures, including the bronze Perseus and Medusa that stands in Florence's Loggia dei Lanzi. Cellini allows himself numerous digressions, so what might in the hands of another author have proved a dry textbook is instead an amusing companion to his "Vita". - Summary by Rob Marland
LibriVox recordings are public domain in the United States; copyright status may differ elsewhere.
Chapters
- Chapter 1
Preface: An Introductory Account by the translator, C. R. Ashbee
17:30 - Chapter 2
The Treatise on Goldsmithing: Introduction
20:05 - Chapter 3
The Treatise on Goldsmithing: Chapter I. On the Art of Niello
08:33 - Chapter 4
The Treatise on Goldsmithing: Chapter II. On Filigree Work
15:59 - Chapter 5
The Treatise on Goldsmithing: Chapter III. Concerning the Art of Enamel
21:36 - Chapter 6
The Treatise on Goldsmithing: Chapter IV. Jewellery
07:02 - Chapter 7
The Treatise on Goldsmithing: Chapter V. How to Set a Ruby
02:39 - Chapter 8
The Treatise on Goldsmithing: Chapter VI. How to Set an Emerald and a Sapphire
08:58 - Chapter 9
The Treatise on Goldsmithing: Chapter VII. How to Make Foils for All Sorts of Transparent Jewels
08:55 - Chapter 10
The Treatise on Goldsmithing: Chapter VIII. On the Cutting of a Diamond
12:24 - Chapter 11
The Treatise on Goldsmithing: Chapter IX. How You Tint a Diamond
15:12 - Chapter 12
The Treatise on Goldsmithing: Chapter X. How to Give a Diamond its Reflector
04:39 - Chapter 13
The Treatise on Goldsmithing: Chapter XI. About White Rubies and Carbuncles
08:15 - Chapter 14
The Treatise on Goldsmithing: Chapter XII. Minuterie Work
56:45 - Chapter 15
The Treatise on Goldsmithing: Chapter XIII. On Cardinals' Seals
19:10 - Chapter 16
The Treatise on Goldsmithing: Chapter XIV. How to Make Steel Dies for Stamping Coins
16:01 - Chapter 17
The Treatise on Goldsmithing: Chapter XV. About Medals
09:52 - Chapter 18
The Treatise on Goldsmithing: Chapter XVI. How the Before-Mentioned Medals are Struck
04:54 - Chapter 19
The Treatise on Goldsmithing: Chapter XVII. Another Way of Striking Medals with the Screw
04:41 - Chapter 20
The Treatise on Goldsmithing: Chapter XVIII. How to Work in Large Ware, in Gold and Silver and Such Like
01:18 - Chapter 21
The Treatise on Goldsmithing: Chapter XIX. How to Begin Making a Vase
03:28 - Chapter 22
The Treatise on Goldsmithing: Chapter XX. Another and a Better Way of Casting
03:01 - Chapter 23
The Treatise on Goldsmithing: Chapter XXI. Yet Another Furnace, Such a One as I Made in the Castle of St. Angelo at the Time of the Sack of Rome
02:51 - Chapter 24
The Treatise on Goldsmithing: Chapter XXII. How to Fashion Vessels of Gold and Silver, Likewise Figures and Vases, and All that Pertains to that Branch of the Craft called 'Grosseria'
21:08 - Chapter 25
The Treatise on Goldsmithing: Chapter XXIII. Another Method for Gold and Silver in Such Things
02:24 - Chapter 26
The Treatise on Goldsmithing: Chapter XXIV. A Third Method for Similar Things
01:08 - Chapter 27
The Treatise on Goldsmithing: Chapter XXV. Of Figures Made in Silver and Greater than Life Size
15:38 - Chapter 28
The Treatise on Goldsmithing: Chapter XXVI. How to Gild
05:14 - Chapter 29
The Treatise on Goldsmithing: Chapter XXVII. A Recipe for Making Colours and Colouring the Gilded Parts
02:09 - Chapter 30
The Treatise on Goldsmithing: Chapter XXVIII. A Recipe for Making Another Sort of Gilding Colour
02:03 - Chapter 31
The Treatise on Goldsmithing: Chapter XXIX. How to Make a Third Gilding Colour for Very Thick Gilding
02:03 - Chapter 32
The Treatise on Goldsmithing: Chapter XXX. How to Make the Wax for Gilding
01:32 - Chapter 33
The Treatise on Goldsmithing: Chapter XXXI. How to Make Yet Another Colouring
01:14 - Chapter 34
The Treatise on Goldsmithing: Chapter XXXII. The Manner of Applying the Said Colour
01:17 - Chapter 35
The Treatise on Goldsmithing: Chapter XXXIII. What You Do When You Wish to Leave Bare the Silver in Certain Places
02:38 - Chapter 36
The Treatise on Goldsmithing: Chapter XXXIV. How to Make Two Kinds of Aquafortis, One for Parting, the Other for Engraving and Etching
03:21 - Chapter 37
The Treatise on Goldsmithing: Chapter XXXV. How to Make Aquafortis for Parting
02:00 - Chapter 38
The Treatise on Goldsmithing: Chapter XXXVI. How to Make Royal Cement
03:56 - Chapter 39
The Treatise on Sculpture: Chapter I. On the Art of Casting in Bronze
05:22 - Chapter 40
The Treatise on Sculpture: Chapter II. How the Above-Mentioned Clay is Made
02:57 - Chapter 41
The Treatise on Sculpture: Chapter III. Another Method of Casting Figures in Bronze of Life Size or a Little Under
45:28 - Chapter 42
The Treatise on Sculpture: Chapter IV. How to Construct Furnaces for Casting Bronze, Whether for Statues, Ordnance, or Other Such-Like Things
19:32 - Chapter 43
The Treatise on Sculpture: Chapter V. How to Carve Statues or Intaglios, or Other Works, Such as Divers Beasts, in Marble or Other Stones
02:27 - Chapter 44
The Treatise on Sculpture: Chapter VI. Of Carrara Marbles
13:17 - Chapter 45
The Treatise on Sculpture: Chapter VII. A Disquisition on Colossal Statues Whether Moderate or Very Great
05:58 - Chapter 46
The Treatise on Sculpture: Chapter VIII. The Mystery of Making Great Colossi
15:50