The Perfect Wagnerite: A Commentary on the Niblung's Ring (originally published London, 1898) is a philosophical commentary on Richard Wagner's Der Ring des Nibelungen, by the Irish writer George Bernard Shaw. Shaw offered it to those enthusiastic admirers of Wagner who "were unable to follow his ideas, and do not in the least understand the dilemma of Wotan." He interprets the Ring in Marxian terms as an allegory of the collapse of capitalism from its internal contradictions. Musicologically, his interpretation is noteworthy for its perception of the change in aesthetic direction beginning with the final scene of Siegfried, in which he claimed that the cycle turns from Musikdrama back towards opera. (Introduction by Wikipedia)
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Chapters
- Chapter 1
Prefaces/Preliminary Encouragements
24:24 - Chapter 2
The Ring of the Niblungs/The Rhine Gold
41:35 - Chapter 3
Wagner as Revolutionist
14:34 - Chapter 4
The Valkyries
21:42 - Chapter 5
Siegfried
27:06 - Chapter 6
Back To Opera Again - Siegfried Concluded
34:55 - Chapter 7
Night Falls On The Gods
27:28 - Chapter 8
Forgotten Ere Finished/Why He Changed His Mind
24:11 - Chapter 9
Wagner's Own Explanation/The Pessimist As Amorist
17:17 - Chapter 10
The Music of The Ring
39:36 - Chapter 11
Bayreuth/Wagnerian Singers
13:40