The Marble Faun is Hawthorne's most unusual romance. Writing on the eve of the American Civil War, Hawthorne set his story in a fantastical Italy. The romance mixes elements of a fable, pastoral, Gothic novel, and travel guide. In the spring of 1858, Hawthorne was inspired to write his romance when he saw the Faun of Praxiteles in a Roman sculpture gallery. The theme, characteristic of Hawthorne, is guilt and the Fall of Man. The four main characters are Miriam, a beautiful painter who is compared to Eve, Beatrice Cenci, Lady Macbeth, Judith, and Cleopatra, and is being pursued by a mysterious, threatening Model; Hilda, an innocent copyist who is compared to the Virgin Mary; Kenyon, a sculptor, who represents rationalist humanism; and Donatello, the Count of Monti Beni, who is compared to Adam, resembles the Faun of Praxiteles, and is probably only half human. (Summary by Wikipedia)
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Chapters
- Chapter 1
01 - Chapter I: MIRIAM, HILDA, KENYON, DONATELLO
12:04 - Chapter 2
02 - Chapter II: THE FAUN
13:57 - Chapter 3
03 - Chapter III: SUBTERRANEAN REMINISCENCES
13:41 - Chapter 4
04 - Chapter IV: THE SPECTRE OF THE CATACOMB
20:40 - Chapter 5
05 - Chapter V: MIRIAM'S STUDIO
25:49 - Chapter 6
06 - Chapter VI: THE VIRGIN'S SHRINE
24:08 - Chapter 7
07 - Chapter VII: BEATRICE
18:18 - Chapter 8
08 - Chapter VIII: THE SUBURBAN VILLA
16:17 - Chapter 9
09 - Chapter IX: THE FAUN AND NYMPH
19:06 - Chapter 10
10 - Chapter X: THE SYLVAN DANCE
16:13 - Chapter 11
11 - Chapter XI: FRAGMENTARY SENTENCES
17:00 - Chapter 12
12 - Chapter XII: A STROLL ON THE PINCIAN
33:07 - Chapter 13
13 - Chapter XIII: A SCULPTOR'S STUDIO
22:19 - Chapter 14
14 - Chapter XIV: CLEOPATRA
18:26 - Chapter 15
15 - Chapter XV: AN AESTHETIC COMPANY
24:18 - Chapter 16
16 - Chapter XVI: A MOONLIGHT RAMBLE
24:23 - Chapter 17
17 - Chapter XVII: MIRIAM'S TROUBLE
17:59 - Chapter 18
18 - Chapter XVIII: ON THE EDGE OF A PRECIPICE
18:06 - Chapter 19
19 - Chapter XIX: THE FAUN'S TRANSFORMATION
09:20 - Chapter 20
20 - Chapter XX: THE BURIAL CHANT
13:46 - Chapter 21
21 - Chapter XXI: THE DEAD CAPUCHIN
18:53 - Chapter 22
22 - Chapter XXII: THE MEDICI GARDENS
14:46 - Chapter 23
23 - Chapter XXIII: MIRIAM AND HILDA
27:48 - Chapter 24
24 - Chapter XXIV: THE TOWER AMONG THE APENNINES
18:34 - Chapter 25
25 - Chapter XXV: SUNSHINE
28:09 - Chapter 26
26 - Chapter XXVI: THE PEDIGREE OF MONTE BENI
22:39 - Chapter 27
27 - Chapter XXVII: MYTHS
18:12 - Chapter 28
28 - Chapter XXVIII: THE OWL TOWER
14:18 - Chapter 29
29 - Chapter XXIX: ON THE BATTLEMENTS
23:38 - Chapter 30
30 - Chapter XXX: DONATELLO'S BUST
15:42 - Chapter 31
31 - Chapter XXXI: THE MARBLE SALOON
19:52 - Chapter 32
32 - Chapter XXXII: SCENES BY THE WAY
23:24 - Chapter 33
33 - Chapter XXXIII: PICTURED WINDOWS
16:23 - Chapter 34
34 - Chapter XXXIV: MARKET-DAY IN PERUGIA
12:37 - Chapter 35
35 - Chapter XXXV: THE BRONZE PONTIFF'S BENEDICTION
16:14 - Chapter 36
36 - Chapter XXXVI: HILDA'S TOWER
14:50 - Chapter 37
37 - Chapter XXXVII: THE EMPTINESS OF PICTURE GALLERIES
18:21 - Chapter 38
38 - Chapter XXXVIII: ALTARS AND INCENSE
16:39 - Chapter 39
39 - Chapter XXXIX: THE WORLD'S CATHEDRAL
14:39 - Chapter 40
40 - Chapter XL: HILDA AND A FRIEND
24:05 - Chapter 41
41 - Chapter XLI: SNOWDROPS AND MAIDENLY DELIGHTS
19:50 - Chapter 42
42 - Chapter XLII: REMINISCENCES OF MIRIAM
18:39 - Chapter 43
43 - Chapter XLIII: THE EXTINCTION OF A LAMP
20:50 - Chapter 44
44 - Chapter XLIV: THE DESERTED SHRINE
22:37 - Chapter 45
45 - Chapter XLV: THE FLIGHT OF HILDA'S DOVES
20:22 - Chapter 46
46 - Chapter XLVI: A WALK ON THE CAMPAGNA
17:33 - Chapter 47
47 - Chapter XLVII: THE PEASANT AND CONTADINA
22:24 - Chapter 48
48 - Chapter XLVIII: A SCENE IN THE CORSO
19:09 - Chapter 49
49 - Chapter XLIX: A FROLIC OF THE CARNIVAL
24:02 - Chapter 50
50 - Chapter L: MIRIAM, HILDA, KENYON, DONATELLO
28:51