"This 1922 book by poet and sometime cultural critic Vachel Lindsay might have been the first to treat the then-new medium of moving pictures as an art form, one that was potentially as rich, complex, mysterious as far older ones, and whose physical and aesthetic properties were only starting to be understood. The highlight of the book might be “The Motion Picture of Fairy Splendor,” which examines the relationship between film storytelling, magic, myths, legends and bedtime stories. It’s discombobulating, in a good way, to read Lindsay’s attempts to grapple with what, precisely, cinema is. Being supposedly sophisticated 21st century people, we all feel as though we know what cinema is, and don’t need to have the basics explained to us, but this is really just vanity and ignorance talking. Bottom line: You haven’t really, seriously thought about movies — what they are, and what they can and cannot do, and become — until you’ve read this book." (Salon.com)
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Chapters
- Chapter 1
DEDICATION AND A WORD FROM THE DIRECTOR OF THE DENVER ART ASSOCIATION
08:56 - Chapter 2
BOOK I - THE GENERAL PHOTOPLAY SITUATION IN AMERICA, JANUARY 1, 1922
42:53 - Chapter 3
BOOK II - THE UNCHALLENGED OUTLINE OF PHOTOPLAY CRITICAL METHOD / CHAPTER I - THE POINT OF VIEW
07:55 - Chapter 4
CHAPTER II - THE PHOTOPLAY OF ACTION
13:27 - Chapter 5
CHAPTER III - THE INTIMATE PHOTOPLAY
17:48 - Chapter 6
CHAPTER IV - THE MOTION PICTURE OF FAIRY SPLENDOR
11:01 - Chapter 7
CHAPTER V - THE PICTURE OF CROWD SPLENDOR
18:51 - Chapter 8
CHAPTER VI - PATRIOTIC SPLENDOR
25:58 - Chapter 9
CHAPTER VII - RELIGIOUS SPLENDOR
14:06 - Chapter 10
CHAPTER VIII - SCULPTURE-IN-MOTION
24:28 - Chapter 11
CHAPTER IX - PAINTING-IN-MOTION
20:36 - Chapter 12
CHAPTER X - FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
24:07 - Chapter 13
CHAPTER XI - ARCHITECTURE-IN-MOTION
18:46 - Chapter 14
CHAPTER XII - THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
23:16 - Chapter 15
CHAPTER XIII - HIEROGLYPHICS
23:57 - Chapter 16
BOOK III. MORE PERSONAL SPECULATIONS AND AFTERTHOUGHTS NOT BROUGHT FORWARD SO DOGMATICALLY / CHAPTER XIV - THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
24:07 - Chapter 17
CHAPTER XV - THE SUBSTITUTE FOR THE SALOON
11:48 - Chapter 18
CHAPTER XVI - CALIFORNIA AND AMERICA
10:22 - Chapter 19
CHAPTER XVII - PROGRESS AND ENDOWMENT
24:27 - Chapter 20
CHAPTER XVIII - ARCHITECTS AS CRUSADERS
08:57 - Chapter 21
CHAPTER XIX - ON COMING FORTH BY DAY
10:46 - Chapter 22
CHAPTER XX - THE PROPHET-WIZARD
21:33 - Chapter 23
CHAPTER XXI - THE ACCEPTABLE YEAR OF THE LORD
18:44