American poet Walt Whitman’s Leaves of Grass, is a collection of poems notable for its frank delight in and praise of the senses, during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.
Whitman was inspired to begin Leaves of Grass after reading an essay by Ralph Waldo Emerson which expressed a need for a uniquely American poet. When the book was first published, Whitman sent a copy to Emerson, whose praiseful letter of response helped launch the book to success. Whitman’s hero, Abraham Lincoln, read and enjoyed an early version of Leaves of Grass. Despite such high recommendations, Whitman faced charges of obscenity and immorality for his work, but this only led to increased popularity of the book.
Whitman continually revised and republished Leaves of Grass throughout his lifetime, notably adding the “Drum-Taps” section after Lincoln’s assassination. The book grew from 12 poems in its first publication, which Whitman paid for and typeset himself, to nearly 400 poems in its final, “Death Bed Edition.” This recording is of the final edition.
(Summary adapted from wikipedia.org by Annie Coleman)
Whitman was inspired to begin Leaves of Grass after reading an essay by Ralph Waldo Emerson which expressed a need for a uniquely American poet. When the book was first published, Whitman sent a copy to Emerson, whose praiseful letter of response helped launch the book to success. Whitman’s hero, Abraham Lincoln, read and enjoyed an early version of Leaves of Grass. Despite such high recommendations, Whitman faced charges of obscenity and immorality for his work, but this only led to increased popularity of the book.
Whitman continually revised and republished Leaves of Grass throughout his lifetime, notably adding the “Drum-Taps” section after Lincoln’s assassination. The book grew from 12 poems in its first publication, which Whitman paid for and typeset himself, to nearly 400 poems in its final, “Death Bed Edition.” This recording is of the final edition.
(Summary adapted from wikipedia.org by Annie Coleman)
LibriVox recordings are public domain in the United States; copyright status may differ elsewhere.
Chapters
- Chapter 1
Book 1
29:58 - Chapter 2
Book 2
33:49 - Chapter 3
Book 3, Part 1
30:00 - Chapter 4
Book 3, Part 2
43:38 - Chapter 5
Book 3, Part 3
46:45 - Chapter 6
Book 3, Part 4
37:50 - Chapter 7
Book 4
50:23 - Chapter 8
Book 5
46:16 - Chapter 9
Books 6-7
50:46 - Chapter 10
Books 8-10
41:11 - Chapter 11
Books 11-12
45:23 - Chapter 12
Book 13
20:52 - Chapter 13
Book 14
10:34 - Chapter 14
Book 15
24:34 - Chapter 15
Book 16
15:16 - Chapter 16
Book 17
31:14 - Chapter 17
Book 18
09:57 - Chapter 18
Book 19
48:17 - Chapter 19
Book 20
23:45 - Chapter 20
Book 21, Part 1
41:27 - Chapter 21
Book 21, Part 2
46:55 - Chapter 22
Book 22
15:21 - Chapter 23
Book 23
35:27 - Chapter 24
Book 24, Part 1
48:33 - Chapter 25
Book 24, Part 2
44:20 - Chapter 26
Book 25
13:06 - Chapter 27
Book 26
20:11 - Chapter 28
Books 27-28
27:58 - Chapter 29
Books 29-30
40:19 - Chapter 30
Book 31
14:49 - Chapter 31
Book 32
50:48 - Chapter 32
Book 33
38:21 - Chapter 33
Book 34
49:06 - Chapter 34
Book 35
28:49