Dead Souls (Russian: Мёртвые души) by Nikolai Gogol, Russian writer, was first published in 1842, and is one of the most prominent works of 19th-century Russian literature. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is usually regarded as complete in the extant form.
In Russia before the emancipation of the serfs in 1861, landowners were entitled to own serfs to farm their land. Serfs were for most purposes considered the property of the landowner, and could be bought, sold, or mortgaged against, as any other chattel. To count serfs (and people in general), the measure word "soul" was used: e.g., "six souls of serfs". The plot of the novel relies on "dead souls" (i.e., "dead serfs") which are still accounted for in property registers. On another level, the title refers to the "dead souls" of Gogol's characters, all of which visualise different aspects of poshlost (an untranslatable Russian word which is perhaps best rendered as "self-satisfied inferiority", moral and spiritual, with overtones of middle-class pretentiousness, fake significance, and philistinism). (Summary from Wikipedia)
In Russia before the emancipation of the serfs in 1861, landowners were entitled to own serfs to farm their land. Serfs were for most purposes considered the property of the landowner, and could be bought, sold, or mortgaged against, as any other chattel. To count serfs (and people in general), the measure word "soul" was used: e.g., "six souls of serfs". The plot of the novel relies on "dead souls" (i.e., "dead serfs") which are still accounted for in property registers. On another level, the title refers to the "dead souls" of Gogol's characters, all of which visualise different aspects of poshlost (an untranslatable Russian word which is perhaps best rendered as "self-satisfied inferiority", moral and spiritual, with overtones of middle-class pretentiousness, fake significance, and philistinism). (Summary from Wikipedia)
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Chapters
- Chapter 1
Introduction by John Cournos, and Author's Preface
25:39 - Chapter 2
Part I, Chapter I
37:00 - Chapter 3
Part I, Chapter II - Section 1
25:07 - Chapter 4
Part I, Chapter II - Section 2
38:10 - Chapter 5
Part I, Chapter III - Section 1
29:38 - Chapter 6
Part I, Chapter III - Section 2
28:19 - Chapter 7
Part I, Chapter IV - Section 1
29:05 - Chapter 8
Part I, Chapter IV - Section 2
39:52 - Chapter 9
Part I, Chapter V - Section 1
23:49 - Chapter 10
Part I, Chapter V - Section 2
38:33 - Chapter 11
Part I, Chapter VI
34:54 - Chapter 12
Part I, Chapter VII - Section 1
17:37 - Chapter 13
Part I, Chapter VII - Section 2
30:18 - Chapter 14
Part I, Chapter VIII
42:55 - Chapter 15
Part I, Chapter IX
26:13 - Chapter 16
Part I, Chapter X
29:22 - Chapter 17
Part I, Chapter XI - Section 1
44:28 - Chapter 18
Part I, Chapter XI - Section 2
40:04 - Chapter 19
Part II, Chapter I - Section 1
38:12 - Chapter 20
Part II, Chapter I - Section 2
33:05 - Chapter 21
Part II, Chapter II
13:57 - Chapter 22
Part II, Chapter III - Section 1
52:09 - Chapter 23
Part II, Chapter III - Section 2
43:23 - Chapter 24
Part II, Chapter IV - Section 1
41:31 - Chapter 25
Part II, Chapter IV - Section 2
33:36 - Chapter 26
Part II, Chapter IV - Section 3
22:28 - Chapter 27
Part II, Chapter IV - Section 4
24:39